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Burial (Burial album)
''Burial'' is the debut studio album of dubstep producer Burial. It was released in 2006 on Kode9's Hyperdub records. The album's sound draws on various forms of UK rave music, including 2-step, jungle, and UK garage. It received critical acclaim, with ''The Wire'' magazine naming it their album of the year, and its being ranked fifth in the ''Mixmag'' 2006 Album of the Year list and eighteenth in the best of the year list of ''The Observer'' ''Music Monthly'' supplement.〔(The OMM's best albums of 2006 ). Blogs.guardian.co.uk. Retrieved on 2011-11-23.〕 As of October 2013, it is number 391 on ''NME'''s "500 Greatest Albums of All Time".
==Production and composition==
William Bevan was very much into drum and bass and jungle, and listened to these types of music on his way to school. When he listened to the song "Special Mission" by producer Digital from the first Metalheadz box set released in 1997, that's when he realized that, while he wasn't really a "musician", and even as of 2006 he didn't consider himself a musician, he could make tracks like these without having to be one.〔
''Burial'' was produced from 2001 to 2006〔 using the program Soundforge. As Burial describes the process in an interview, "Once I change something, I can never un-change it. I can only see the waves. So I know when I’m happy with my drums because they look like a nice fishbone. When they look just skeletal as fuck in front of me, and so I know they’ll sound good." He also said that he didn't use a sequencer, because if his drums were timed too perfectly, they would "lose something" and "sound rubbish". The drums were a major focus of his while making the record, saying that, "I don’t find melodies catchy, I find drums catchy. When you have a bassline in your head for a day, you’re fucked. You can’t think." He also recorded himself drumming in case he forgot a beat he thought of, as he would often get kicked out of class for drumming on tables.〔
Not using a sequencer would also help him with making every track very quickly and focusing more on the sorrow vibe of each track rather than how he could mess around with them. He went as so far as to call musicianship an "enemy" of all of his songs and criticizing the producers he admired for going, "all ‘musician’ on me and just produc() shit, not underground." Burial claimed he went for a sad feel with the album because it's what the old records he listened had: "once you’ve got a vocal sample over sub and drums, you don’t have much choice with the rest of the elements. It’s basically a Source Direct thing: it’s pure darkness but all the elements circle. You hear something and you know at another point in the tune it’s going to circle back around."〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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